At last, I know what a childhood of X-Men reading prepared me for: coping with the severe cognitive dissonance when different components of/perspectives on a fictional world are staggeringly different from each other in tone.
Except that, where X-Men (and similar) comics have passed through countless creative teams over several decades (and are a big enough thing to have all kinds of quirky sideline projects), in this case, said staggeringly-different aspects are written by the same person.
I'm now mostly caught up on K.B. Spangler's work in the A Girl and Her Fed (AGAHF) universe, which consists of the ongoing A Girl and Her Fed webcomic and five novels (so far), one of which is Not Like The Others. Oh, and the first of a planned series of novellas cheerfully (and accurately) codenamed "Joshsmut".
I came at this world...out of order, I guess, in that I started with the novels. I'd heard of the AGAHF comic and had been meaning to read it, but I do better with novels...and I didn't really realize how intertwined the projects are. Here's an io9 review of Digital Divide, the first Rachel Peng novel. (Four of the five novels currently available focus on Rachel.)
(Note: I'd heard of A Girl and Her Fed off and on for at least a few years, and had it on my to-read list before I mentally connected it to the Rachel books, but I never really looked into what it is...even though I always tripped, and still trip, over the title because I always parse it wrong. My instinct is still to read the "fed" as a conjugation of "feed", not as "federal agent", which makes no sense at all. How am I STILL DOING THAT?)
So Rachel was my gateway. Rachel as we meet her is a smart, driven, ex-military federal employee who's working as the liaison between the D.C. police force and her own federal agency, OACET, which is made up entirely of a large group of cyborgs. More specifically, a large group of cyborgs created in a catastrophically flawed project that took some of the best and brightest young civil servants from across the federal government, put chips in their heads, and left them collectively traumatized and disturbingly overpowered.
Emphasis on the "collectively". The (functionally nonexistent) "So You're A Cyborg" manual didn't have a chapter for "Welcome to Your New Hivemind! (Please stop screaming! Everyone can hear you!)"
Rachel's books start several years after all that, and several months after she's joined the above-mentioned police force, for the express purpose of helping to ease the public into the idea that Cyborgs Are People Too!, and super-useful to boot! And guys, I love Rachel dearly, so she was a great gateway for me. I kept going with her books until I discovered that the sole (so far) Hope Blackwell novel is set before Rachel's fourth book, so I opted to both read that book and finally backtrack to read AGAHF...
And it turns out that my X-Men experience is only barely up to this whole experience. ( cut for length; there's about as much text under here as there is above )
Two things of note:
1) Spangler is in the process of redrawing the first chunk of AGAHF. I don't know when she started doing that, or how quickly it's progressing, but the result is that the first 90-100 strips or so have been redrawn (each one linking to its original version) and have had some dialogue tightened and some plot holes smoothed out, but then you run out of redrawn art and get dropped into the original art style for a while, and it's...well, it's pretty jarring. (Here is the current/redrawn first comic; here is the original version. So you see.)
2) I'm not great at picking up things that call for content notes/warnings, unless they're pretty obvious. But one thing that bothered me, and recurred often enough that I feel like I ought to mention it, is the frequent use of "psychopath" (plus some instances of "sociopath") as a descriptor. ( briefly expanding on that; not very spoilery )